by Andy Dibble

With a clamor of bells that set the cherubim soaring, the Festival of the Lord came to New Jerusalem. In the clear morning air, people of every nation streamed through the three gates facing snow-capped northern peaks. Blinking and hugging, they joined the processions, as if everyone were a close aunt or uncle or cousin or friend. Those facing the rising sun led the dancing, as if they’d always known the steps, all their lives.
War is no more. Death, famine, and disease are no more. They’re a fallen equestrian order. Although some hesitate, some think they might not be worthy. Impostor syndrome isn’t quite overcome. The old heaven and earth haven’t passed away just yet.
More join through the southern and western gates. They’re welcome too, no less welcome, though the dark cloud surrounding the city is darkest in the west. The climb is behind them. Their sight and lungs are clear. They’ve emerged from the cloud.
There was an angel at every gate, a living creature, with silver wings and flaming sword. Beautiful and full of grace and smiting no one, turning none away. As security, they might as well be gargoyles or statues, albeit statues you were glad to look upon and look upon again.
They did not scrutinize papers, ask pointed questions, or turn away foreigners. None are foreign in New Jerusalem, no matter if you speak Dyirbal or wear drag or keep hummingbirds as pets. No pledges of faith required. Now even faith is archaic. Not faith that builds up, but the faith of creeds and tribes, faith that divides into us and them, that holds some apart.
As for those that are apart, those wandering the cloud. They are coming in. All of them. That’s the hope, at any rate. The city would not be paradise if its people think outsiders are as black smoke rising from a lake of fire. Let them trust that, one day, all will be their neighbors.
Scripture makes much of the city’s architecture, its twelve pearly gates, its measurements in forgotten units, its twelve foundations of jasper and sapphire and agate and on and on. Symbols and numerological correspondences. But I daresay, even scripture is archaic, or is about to be. We’re past the end of the book.
Do not mistake me. New Jerusalem’s homes and meeting halls are wondrous, marvelous. They are of blown glass or cut from precious stones, and not the least bit uncomfortable! That is miracle enough. The grounds and wide avenues lined with fragrant palms and two-faced cherubim, which roam when they have a fancy to. Family and community gardens blossoming with hyacinths and lilies and hyssop and on and on. The ponds and bulrushes and wild plots of prairie tickled by mouse and sparrow.
Go, meet the angels who built the city. Watch them move. Hear the bells of their laughter. In daylight, you might mistake them for youths. Speak with the gardeners. Ask after their work. They’re glad to take apprentices, for there is always more to do, even though more than enough is already done.
But more than the architecture and grounds and gemstones, let us consider the people. How do they live where the lion lays down with the lamb, where infants thrust tiny fists in vipers’ dens, where a little child leads them?
They are happy, but not simple-minded. Their bejeweled homes are wondrous to us, but not to them. The fragrant palms are pleasant, sweet-smelling, not habit-forming. No one’s caught in a stupor, but life is good and they drink to its fullest. They do not need pain to think big thoughts. They intrigue. They’re sexy. They’re mature, even without dark depths, without the cloud. Truly. Verily, I tell you.
How to make you understand? Try going among them. The young mothers and aunts and grandmothers and fathers and brothers carrying babies and chatting as they walk. Musicians and dancers, scholars and plumbers, confectioners, nurses, cherub-tamers—some at work, others off for the festival. Others who aren’t professionals, laborers, or entertainers, or aren’t any longer. Extended retirement is just as well. Some are grave. They wear linen or sackcloth and mind their pace. For them, the Lord’s coming is a serious occasion, like accepting a head of state. That too is well. Watch the children doodling or chasing lion cubs—none of them crying. They’re enmeshed in the to and fro of life, the thriving tapestry.
All are praising, all worthy of praise, even if the Lord is most worthy. He merits titles and singing and majesty. When he comes in glory all will bow, not out of guilt or gratitude for his sacrifice but because of who he is. He is glorious. He will be. They will be his subjects and his citizens. His sons and daughters. They will obey him, not because they must, but because they know his way is right. Yes, they still have religion, or the expectation of one. Though, for now, bowing is ridiculous.
They even have a Temple. Though it is derelict, a difficult reminder.
I’d say they eat no sacrificial lamb because everyone is vegetarian. But not as a statement, not religiously. If the lion will lay down with the lamb, the human will shutter slaughterhouses. If the lion eats straw, the human can feast on succulent fruits and manna from heaven.
Does New Jerusalem strike you as goody-goody? Very well. If your notion of paradise requires juicy meats revolving on spits, imagine there’s a slain apocalypse beast to feast on, be it Behemoth or Leviathan or Ziz. Dig in.
Still think the city prissy? Fine, add an orgy. If an orgy would help, don’t hesitate. Enter nudes in the streets. Too much? You are difficult to please. So let there be a red-light district stocked with courtesans of every gender. Let them play the lyre, so sweetly you’d listen and be done. Let them barbecue apocalypse beast shank. Let them quote Ecclesiastes and the Song of Songs, until you aren’t sure if extra-marital sex is vanity and chasing the wind or love better than wine, like perfume poured out.
Have we smuggled sin inside the city? Now we’ve done it, have we? The Lord may chastise us in his time. But I hope he isn’t fixated on old ways of thinking, that he’s better at keeping with the times. More on that, later.
The processions spill into the central square. The shimmering of cymbal and tambourine, Psalms played in their original melodies, once forgotten. Now, everyone knows their scores by heart. Perhaps I spoke too soon in dismissing scripture, calling it archaic. It too is being made new.
All line up along the River of Life, which cascades, as though laughing, from the highlands of the new world. Lilies float in its shallows. The people face the empty Throne. A shofar sounds: imperious, melancholy, piercing.
The note fades. Exaltation rises up. “Hallelujah!” “Maranatha!” “Come, Lord!” Some look to the eastern gates, others the empty throne, one the red-light district, some even the derelict Temple. But most look heavenward, and hope and wait. And wait a moment longer.
But there’s no crack of thunder, no lightning fracturing the sky, no voice like rushing waters. Midmorning is glorious, but not his glory. No one’s caught up in the air to meet him.
Children break off first, return to fooling around. The cymbal, the tambourine. The processions begin again, still joyous, still simmering with anticipation. Perhaps he’s waiting for more to come in, for the number to be complete, for the fullness of time. Nothing bad comes of waiting a day, a month, the full thousand years.
Are they gullible? Forgetful? They forgot those in the cloud, or seem to, and this is not the first Festival of the Lord, the first mistaken prediction of His arrival. They have no calendar, no system for determining when the festival should be. They strike up the tambourine on a rumor.
Why shouldn’t they? Because Christ wasn’t spontaneous? They are his people, actualized. They don’t need his example.
In his time, Christ was too morose for paradise, an heir apparent in the shadow of a sword suspended by a thread. For him, responsibility was great, and fun was halting, difficult. But he always loved those for whom spontaneity and joy are easy.
So what if they forget? It is better to trust as they do. At length, eternal life would be unbearable without the expectation of greater times ahead. No one forgets who they owe eternity to. The Lord will come in His time.
A pageant was planned in the central square for when the Lord first sat his throne, a play to commemorate the Passion, the blood and the Cross. The Lord remained absent, but the players put it on anyway. Let him appreciate it from on high, if he wishes to.
It was a solo act. One man played Jesus. Slender, turbaned, rather pale, at least compared to Jesus himself. He didn’t look like he could carry a cross, even the cross-beam.
But he didn’t have to. He was a puppeteer, nimbly orchestrating his execution. The rest were puppets: the women with agate eyes, the High Priest with a long cotton beard, Roman soldiers with tiny felt-tipped spears. His hands moved so deftly behind the stage, you’d think him blessed with some trait of the God-man he portrayed. Bravo!
Now you find me glib, the show insensitive. What if I told you, at turns, the antics were humorous, slapstick even? That offends? At the aft side of paradise, I see why you resist.
But the play was no moody historical drama. No rabble roused. No women wailing. Certainly no splattering bodily fluids. The time for guilt is done. Four-letter words aside, there is no sin inside these walls. You think Christ wants your sympathy? You think he wants you in his place?
I say there were fireworks! The angels joined in, as acrobats! This far along in history, everyone agrees he rose again in triumph and he will come again in glory. He’s on the cusp. His pain isn’t painful anymore. Pain has given way to laughter and none of it false, none of it out of tune.
Do you believe? Do you accept the festival, the city, the puppets? Do you believe that, in God, a people can be mature and trusting and passionate and content, truly, all at once, forever. No?
Then let me tell you one more thing.
In the derelict Temple, past its courtyard where once you could buy doves for sacrifice, but now there are only tables overturned and coins that no one need bother with anymore. Behind the curtain, in its innermost chamber, the Holy of Holies, the Lord has already arrived. But not in glory, not in the wholeness and dynamism of the Godhead, but in bloody chunks.
Stooped and lacerated in a corner there he is at twelve, when he taught scripture with such virtuosity. Along the far wall, where you’ll find utensils for slaughter, the debater-Jesus, who had barbed words for Pharisees, takes down double-pronged hooks. Hovering above is Jesus who walked on the storm-tossed waves of Galilee. The hidden Jesus in leper’s clothes, the youth who scripture says nothing of, cuts him down. See, see in the center, above the Ark of the Covenant, the last mortal Jesus, the eldest, the crucified. See the nails, the crown of thorns, the spear, the bitter wine, the cross.
Behold the man, all of him. Many in one, crucified and rising again, a web of men and boys locked in bloody melee, a gory shudder.
Go, look behind the curtain. Behold the man. See for yourself! It is no secret. No one sees through a dark cloud any longer. Even if he is fragmented, consumed at every age by his sacrifice, caught in the circuit of his crown. Traumatized?
They might limp out if you tore the curtain down and let the light of the city in. Or if you, like a hero of old, diverted the River of Life to wash the blood away. Or with a kind word, or plea, asked them to emerge.
They might come out. I do not know his mind.
But this I know. Everyone in the city knows. If they did emerge, the dark cloud would consume the city. In an hour or day, it would devour all. All and everyone would fall away. The twelve foundations of the city would crumble. The foundations are of jasper, sapphire, agate—precious stones, but not invincible. Scripture does not say adamantine.
Those are the terms. Exchange the goodness and grace of every life in New Jerusalem for the well-being of that self-mutilating crew. For them to emerge would be to let sin within the walls indeed.
Theologize as you will, but the bloody room is there. The terms are absolute. From eternity or the foundation of the world, God keened some deep algebra in coagulated signs.
And thus scripture, the old and new, is an odyssey of blood, of sin and expiation. And thus the price of ushering all back into Himself was perpetual sacrifice, an ongoing day of redemption, whether in the order of Aaron or Melchizedek. Thus New Jerusalem, brick by brick.
Behold the man. See for yourself!
Now there are those that look behind the curtain, who witness the blood pooling out, staining their feet. They’re shaken. How could they not be? But somehow they wash themselves in the River of Life and go back to their homes of jasper and glass, telling themselves he chose the sacrifice, that we are bound to obey, to respect his wishes.
Did he choose sacrifice? Does he consent? I do not think a babe in the cradle consents. Neither do I think a lamb slain from the foundation of the world consents, or a man that prays that the cup pass from him, or the crucified man that cries out asking why his father has forsaken him. No one consents to living, only a few to dying. But I do not know how volition operates in the Godhead, how the Almighty orients His will or how it orients Him. Or whether this is a distinction without a difference. Theologize as you will.
All I know is the pageant behind the curtain.
Some of the city, the puppet show-goers, believe the sacrifice was like a fairy tale, once upon a time, long ago and far away. They believe time is like an arrow that flies and lands in a pot of gold at the end of a rainbow. The sacrifice was at a particular moment, and that time is past, and now there is only room for glory. But they cannot deny the brutality of the innermost chamber, how he rends himself, how the blood pools even beyond the curtain.
They say Christ doesn’t feel it. Not anymore. Heh. Here I am, scoffing!
They deceive themselves, or God does. Has He given them peace of mind for a piece of mind? It’s possible. In scripture, in Ezekiel, the first prophet of New Jerusalem, God deceived His own prophets.
But am I so faithless? I hope it’s a lingering malady, an aftereffect of the cloud. Only for now are we credulous, gullible. The Lord will come in His time.
I speculate much, but I hear the angels gossip. They say, in Eden, God taught Adam the names of all things and ordered all the angels to bow down before him. They did, all except one, the one born of dark cloud and radiant fire. He refused, some say, because he was arrogant. He thought himself better than an upstart ape.
But there is another opinion. A few say he placed hands at the feet of the Almighty, crying, “Only you!” They say he refused to bow down before any but God, though it might mean eternal separation from his beloved.
And it would. He was cast into the cloud. Angels disagree, but not about that.
I speculate much, but I know one more thing. The twelve gates are wide. Legions stream in, but they bump shoulders with a few who go the other way. These few interest me deeply. They are not hypothetical, like the righteous of Sodom, whether ten or fifty, for which God would stay his wrath. They are real.
They witness the room and the blood, or the Jesus puppeteer, or a restless night. They walk the avenues lined with fragrant palm and two-faced cherubim. They stride past the angels. The angels nod back. They vanish into the cloud.
They do not look back. They do not return. Most go west, where the dark cloud is darkest. Why? I do not know. But I think they know why they go if not always where they are going.
It is strange the adequacy of a whole way of life should depend on abstruse theology: How does God view time? Did Christ consent? Did he suffer? Does he still? But every utopia is abstruse, propped upon pillars of cloud.
I worry, in the Godhead, time is not a series of moments, like a vestment fraying, but all moments stewed. To God, the sacrifice is not once and done, it is always and forever, a fitful night, a trauma. In the innermost room of the city, He has not escaped the Cross.
Theologize as you will, but I fear the reason the throne is empty, the reason the Lord has not come in glory is because he, in the Godhead, is reeling.
Jesus was generous, and wise, and angry, and morose. He loved, but joy was difficult for him. We depict him whitewashed, smiling at children, at the downtrodden. But in scripture, he was more a spring of wisdom than a fountain of gladness. I pray, in the Godhead, he relishes the joy and gladness of all time, from the beginning to the city, to the new heaven and earth, but I think the trauma is too great. I speculate, but I do not think He does.
I speculate, but keep the faith. I speculate, but turn west. I don’t think the Lord waits for the number that come in to be complete. He waits for a number to go, these who walk away from New Jerusalem, these who love Christ too well to obey him.
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Bio:
Andy Dibble also has words in Writers of the Future, Diabolical Plots, and Mysterion. He has edited Strange Religion, an anthology of SFF stories about religious traditions. He reads slush and helps to edit anthologies with Calendar of Fools.
Philosophy Note:
This story is in the tradition of responses to Ursula Le Guin’s “The Ones Who Walk Away From Omelas,” which depicts a summer festival in a utopian society whose prosperity depends upon the suffering of an innocent child. I’m not the first to identify the Biblical New Jerusalem at the end of the book of Revelation as utopian. Neither am I the first to identify correspondences between the child in the Omelas hole and Jesus. The narrator of this story recognizes New Jerusalem might be different from Omelas; it might be justified even if Omelas is not: Jesus was an adult, but the child in the Omelas hole could not consent. The Crucifixion was a particular historical event, but Omelas requires the perpetual suffering of a child. However, because of theological uncertainty in how God perceives time, He may nevertheless experience the Crucifixion like the Omelas child perceives their suffering. If so, we might condemn the New Jerusalem society if we condemn Omelas.
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